‘This article revisits historical debates over the status of photography in the 19th century to shed light on current legal and philosophical challenges posed by artificial intelligence (AI) in the creative sphere. Just as early critics questioned whether photographs could be considered art or original expression, today’s disputes turn on whether AI-generated outputs qualify for copyright protection. These parallels illuminate a recurring tension in copyright law: how to distinguish technological mediation from human authorship.’
Link: https://academic.oup.com/jiplp/advance-article/doi/10.1093/jiplp/jpaf039/8203364?searchresult=1